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'Laberinto de pasiones' redirects here. Labyrinth of Passion_sentence_0

It is not to be confused with Laberintos de pasión. Labyrinth of Passion_sentence_1

Labyrinth of Passion_table_infobox_0

Labyrinth of Passion (Spanish: Laberinto de pasiones) is a 1982 Spanish screwball comedy written and directed by Pedro Almodóvar, starring Cecilia Roth and Imanol Arias. Labyrinth of Passion_sentence_2

Antonio Banderas has a small role marking his film debut. Labyrinth of Passion_sentence_3

Labyrinth of Passion, Almodóvar's second film, was independently produced with a shoestring budget which allowed for better production values than his previous film Pepi, Luci, Bom, and to employ a more complex narrative. R4 card not working after 3ds update issues. Labyrinth of Passion_sentence_4

The plot follows a nymphomaniac pop star who falls in love with a gay Middle Eastern prince. Labyrinth of Passion_sentence_5

Their unlikely destiny is to find one another, overcome their sexual preferences and live happily ever after on a tropical island. Labyrinth of Passion_sentence_6

Although badly received by Spanish film critics, Labyrinth of Passion was a modest success and it quickly reached cult film status. Labyrinth of Passion_sentence_7

The film is an outrageous look at love and sex, framed in Madrid of the early 1980s, during the so-called Movida madrileña, a period of sexual adventurousness between the dissolution of Franco's authoritarian regime and the onset of AIDS consciousness. Labyrinth of Passion_sentence_8

Plot Labyrinth of Passion_section_0

Sexilia ('Sexi') is a pop star and sex addict; Riza is the gay son of the Emperor of Tiran (a fictional Middle Eastern country). Labyrinth of Passion_sentence_9

Both are strolling around Madrid's flea market, aiming to pick up lovers. Labyrinth of Passion_sentence_10

Sexilia takes two men for an orgy, where she is the only woman. Labyrinth of Passion_sentence_11

In the hope of curing her nymphomania and her fear of the sun, she is undergoing psychotherapy. Labyrinth of Passion_sentence_12

However, her psychoanalyst, Susana, is far more interested in sleeping with Sexila's father, Doctor de la Peña, a gynecologist specializing in artificial insemination. Labyrinth of Passion_sentence_13

As the doctor is frigid, Susana does not have a chance with him. Labyrinth of Passion_sentence_14

One of Doctor de la Peña's patients is Princess Toraya, the ex-wife of the former Emperor of Tiran. Labyrinth of Passion_sentence_15

Flicking through a magazine, Toraya discovers that her stepson Riza Nero is also in town. Labyrinth of Passion_sentence_16

Thanks to treatment by Sexilia's father, Toraya is now fertile for the first time in her life. Labyrinth of Passion_sentence_17

Since the emperor's sperm is currently unavailable to her, she will settle for that of his son, Riza, whom she attempts to track down. Nikkiso dialysis machine manual. Labyrinth of Passion_sentence_18

In Madrid, Riza is living incognito, constantly wearing a wig and dark glasses. Labyrinth of Passion_sentence_19

He gets involved first with Fabio, a young junkie transvestite. Labyrinth of Passion_sentence_20

Later he meets Sadec on the street and the two go to Sadec's place for a tryst. Labyrinth of Passion_sentence_21

Ironically, Sadec is a member of a group of terrorists looking for Riza, but fails to recognize him in disguise. Labyrinth of Passion_sentence_22

When Riza realizes that Sadec is also from Tiran, he decides to change his hair and clothes in order to protect his anonymity. Labyrinth of Passion_sentence_23

With Fabio's help, Riza transforms his appearance to a punk. Labyrinth of Passion_sentence_24

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Sexilia and Riza, who knew each other when they were children, meet again, when Riza, disguised as 'Johnny', is performing as the lead singer with a punk band in the absence of one of their regulars. Labyrinth of Passion_sentence_25

That night, they fall in love but do not sleep together. Labyrinth of Passion_sentence_26

The two opt for a chaste relationship since each wants this relationship to be 'different'. Labyrinth of Passion_sentence_27

Making time in her busy schedule for her laundry, Sexilia meets Queti, a young woman who works in a dry-cleaner owned by her father. Labyrinth of Passion_sentence_28

Her mother skipped out on her father a few weeks earlier and the father, who takes Vitapens to stimulate his sex drive and potency, pretends to mistake Queti for her mother and binds her to the bed and rapes her on alternate days, despite the fact that Queti regularly laces his tea with a libido-suppressing chemical called Benzamuro. Labyrinth of Passion_sentence_29

In search of consolation, Queti dresses up in the clothes of her role model Sexilia. Labyrinth of Passion_sentence_30

One day Sexilia spots Queti in the street wearing one of her outfits and confronts her. Labyrinth of Passion_sentence_31

They become friends. Labyrinth of Passion_sentence_32

Queti tells Sexilia about the problem with her father and Sexilia tells her that she cannot stop thinking about Riza. Labyrinth of Passion_sentence_33

Sexilia and Riza mutual adoration has 'cured' Riza's compulsive homosexuality and Sexilia's nymphomania. Labyrinth of Passion_sentence_34

Queti and Sexilia hatch a plan: they agree to swap identities so that Queti can escape her father's sexual abuse and take on the role of Sexilia for real. Labyrinth of Passion_sentence_35

This would allow Sexilia to escape with her lover Riza. Labyrinth of Passion_sentence_36

However, Toraya finally catches up with Riza and seduces him. Labyrinth of Passion_sentence_37

When Sexilia goes to Riza's hotel, she finds Toraya and Riza together. Labyrinth of Passion_sentence_38

Riza tries to convince her that sex with Toraya was only practice for the real thing with her, but Sexilia is distraught. Labyrinth of Passion_sentence_39

The knowledge of Riza's infidelity drives Sexilia to her psychoanalyst. Labyrinth of Passion_sentence_40

Under therapy, Sexilia discovers that Toraya was responsible for both her childhood traumas and her nymphomania in the same incident that made Riza gay. Labyrinth of Passion_sentence_41

Rejected by her father, she had had sex with a group of boys on the beach, while Riza looked on. Labyrinth of Passion_sentence_42

Sexilia meets up with Queti, who after plastic surgery has taken her place. Labyrinth of Passion_sentence_43

Queti persuades Sexilia to give Riza another chance. Labyrinth of Passion_sentence_44

Sadec, who has a highly developed sense of smell and has fallen head over heels in love with Riza, is looking for him everywhere. Labyrinth of Passion_sentence_45

Sadec's roommates, Islamic extremists, plan to kidnap Riza. Labyrinth of Passion_sentence_46

Queti warns Sexilia and Riza of the danger and, when Toraya and the Islamic extremists arrive at the airport, Riza and Sexilia are already on the plane bound for Contadora, a tropical island. Labyrinth of Passion_sentence_47

Back in Madrid, Queti, now Sexilia's look-alike, sleeps with the latter's father, whom she has always fancied; he, believing her to be Sexilia, achieves his aim of truly loving his daughter. Labyrinth of Passion_sentence_48

At the airport Sadec and his companions, having lost Riza, kidnap Toraya. Labyrinth of Passion_sentence_49

On the airplane Riza and Sexilia make love for the first time. Labyrinth of Passion_sentence_50

Cast Labyrinth of Passion_section_1

Labyrinth of Passion_unordered_list_0

• Cecilia Roth as SexiliaLabyrinth of Passion_item_0_0
• Imanol Arias as Riza NiroLabyrinth of Passion_item_0_1
• Helga Liné as TorayaLabyrinth of Passion_item_0_2
• Marta Fernández Muro as QuetiLabyrinth of Passion_item_0_3
• Antonio Banderas as SadecLabyrinth of Passion_item_0_4
• Fernando Vivanco as Doctor de la PeñaLabyrinth of Passion_item_0_5
• Ofelia Angélica as SusanaLabyrinth of Passion_item_0_6
• Luis Ciges as Queti's fatherLabyrinth of Passion_item_0_7
• Angel Alcazar as EusebioLabyrinth of Passion_item_0_8
• Concha Grégori as AngustiasLabyrinth of Passion_item_0_9
• Agustín Almodóvar HassanLabyrinth of Passion_item_0_10
• Cristina S. Pascual as Eusebio's girlfriendLabyrinth of Passion_item_0_11

Reception Labyrinth of Passion_section_2

Almodóvar's second film received its premiere on 7 September 1982 at the San Sebastián International Film Festival. Labyrinth of Passion_sentence_51

Produced by Alphaville, a distribution company which from 1979 had four cinemas in central Madrid dedicated to the screening of independent films, Labyrinth of Passion enjoyed a much larger budget, more sophisticated technical resources and more lavish publicity than its predecessor Pepi, Luci, Bom (1980). Labyrinth of Passion_sentence_52

However, critically, the film fared badly, much worse than Pepi, Luci, Bom. Labyrinth of Passion_sentence_53

'Positively bristles with vibrant colors and a wildly comic sexual energy,' wrote Marsha Kinder in Film Comment. Labyrinth of Passion_sentence_54

Nevertheless, critical reaction was generally negative. Labyrinth of Passion_sentence_55

Writing in El Periodico, JL. Labyrinth of Passion_sentence_56

Guarner suggested that: 'The story is nothing more than a series of episodes, summarily linked, and what we have come to call cinema plays little part in it. Labyrinth of Passion_sentence_57

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The bizarre plot does not live up to its promise, for its weakened by parallel subplots which weave in and out of it more or less haphazardly.' Labyrinth of Passion_sentence_58

Almodóvar said about Labyrinth of Passion: 'I like the film even if it could have been better made. Labyrinth of Passion_sentence_59

The main problem is that the story of the two leads is much less interesting than the stories of all the secondary characters. Labyrinth of Passion_sentence_60

But precisely because there are so many secondary characters, there's a lot in the film I like.' Labyrinth of Passion_sentence_61 Steve james documentary stevie updated.

Analysis Labyrinth of Passion_section_3

Almodóvar has mentioned Billy Wilder as an influence and has described the film as a 'wild comedy, with lots of action and lots of characters.. but without Billy Wilder's bite, because this is a very pop film.' Labyrinth of Passion_sentence_62

In the context of pop he has also referred to the work of Richard Lester, of A Hard Day's Night fame: 'Films set in the city where every thing is very banal: girls and boys fall in love a lot, suffer a lot, but their suffering never involves real pain'. Labyrinth of Passion_sentence_63

Thirdly, he was influenced by the romantic melodramas of the 1950s, of which the series of films called Sissi the Empress was a prime example. Labyrinth of Passion_sentence_64

The film was particularly inspired by the Shah of Iran, who at the time was still living. Labyrinth of Passion_sentence_65

Almodóvar imagined the son of the Shah coming to Madrid and used another key figure in the gossip columns, Princess Soraya, who became Toraya in the film. Labyrinth of Passion_sentence_66

Through them, the director explains: 'I wanted to tell the story of a couple that has difficulties developing their relationship. Labyrinth of Passion_sentence_67

These difficulties stem from the fact that the man and the woman share the same sexual behavior.' Labyrinth of Passion_sentence_68

Almodóvar has also suggested that in making Labyrinth of Passion he experienced: 'The difficulty of presenting a relationship in a light hearted way when beneath the surface, there lies a certain sadness.' Labyrinth of Passion_sentence_69

Making a massive technical improvement on Almodóvar's first feature, Labyrinth of Passion set the tone and style for the films that established his name. Labyrinth of Passion_sentence_70

A gallery of colorful characters engages in an amusingly complex plot, which concludes with a taxi-cab race to the airport (reworked in Women on the Verge of a Nervous Breakdown). Labyrinth of Passion_sentence_71

A fresh-faced Antonio Banderas (who starred in a number of Almodóvar's later films) made here his film debut as a gay terrorist, gifted with a hyper sense of smell that he uses it to track down a Prince with whom he has fallen in love. Labyrinth of Passion_sentence_72

The film is notable also for Almodóvar's appearance in full drag as a nightclub compeer. Labyrinth of Passion_sentence_73

The director also plays himself at the beginning of the film in a short scene in which he directs a young transvestite junkie to butcher himself with a drill for a photo strip entitled Photo Porno Sexy Fever. Labyrinth of Passion_sentence_74

Writing the script Almodóvar's idea was to present Madrid as the world's most important city, a city everyone came to and where anything could happen. Labyrinth of Passion_sentence_75

One draft of the script had Dalí and the Pope meeting and falling passionately in love. Labyrinth of Passion_sentence_76

That story was eventually cut, but it summed up the general idea. Labyrinth of Passion_sentence_77

Labyrinth of Passion was made during the golden age of the Madrid movida, between 1977 and 1983, and almost all the key figures of the movement – painters, musicians – are part of the large cast. Labyrinth of Passion_sentence_78

Depicting the hedonism of underground music venues and gay cruising grounds, the daring script shows Almodóvar's enthusiastic embrace of Spain's new-found freedom of expression. Labyrinth of Passion_sentence_79

For this reason, the film retains an emblematic power in Spain. Labyrinth of Passion_sentence_80

It ran for ten years on a midnight run at Madrid's Alphaville cinema, but was released in the United States, England, France and Italy only after the success of Women on the Verge of a Nervous Breakdown. Labyrinth of Passion_sentence_81

DVD release Labyrinth of Passion_section_4

Labyrinth of Passion is available in Region 2 DVD in Spanish with English subtitles. Labyrinth of Passion_sentence_82

Credits to the contents of this page go to the authors of the corresponding Wikipedia page: en.wikipedia.org/wiki/Labyrinth of Passion.

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Genders: Drama, History

Countries: Germany

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