• Buy and get FREE. Use Sub Destroyer to program powerful and explosive low-end. Add to existing bass, replace the bass content in a bass guitar performance for perfect pitch using midi, or generate bass drops with an extended harmonic range that is more apparent in the mix. Sub Destroyer can also be used to create EDM and Dubstep sounds.
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The Sub Destroyer of Joey Sturgis Tones is an VST instrument designed to be mixed with existing bass signals or to replace the low end of bass-heavy instruments.Subdrops with an extended harmonic range are also possible, as well as the creation of EDM and Dubstep sounds.

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A unique and powerful interface

Spark VDM offers a powerful interface to easily program and get the most out of your classic drum machines.

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• Audio Plugins Four indispensable tools for the audio professional! Includes the best of JST's plugins, Gain Reduction™️ Deluxe, JST Clip, Pixelator, and Sub Destroyer!Also check out Producer Bundle II right here! For more information: Gain Reduction™️ Deluxe JST Clip Pixelator Sub Destroyer.
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Easy Progamming:

Inspired by the original TR-series, Spark features a 16 step sequencer inspired by the original TR-series, that makes programming tracks a breeze. Pattern length is expandable to 32, 48 and 64 steps. If you want to capture your beats with their original timing and velocity, you can also map your favorite MIDI keyboard to the 8 drum pads.

Easy mix with quality effects:

Spark Vintage includes a dedicated mixer with 16 independent stereo outputs that you can easily route into your DAW. It is also a powerful interface to refine your drum mix within Spark thanks to 14 professional audio effects: Multiband Compressor, Reverb, Bit crusher, Multiband EQ, Chorus, Delay, Distortion, Phaser, Plate reverb, Destroyer, Flanger, Space pan, Limiter, Sub generator.

Ideal for Live:

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Spark Vintage offers the same exact live features as its elder brother, Spark Creative Drum machine. The XY Pad offers real-time filtering and slicing, to quickly generate mind-blowing breaks. It features 3 types of Filters (Low Pass, High Pass, Band Pass), Repeat, Repeat Mix, Bit Crusher, Reverse, Tape, Strobe and Pan. Spark also comes with an advanced Looper, that allows you to divide the loop size and move the looping position simultaneously. This feature brings a lot of stutter dynamics into your playing. Combine it with the XY Pad and it will generate even more impressive live effects.

Seamless integration :

Spark Vintage integrates seamlessly with any DAW as a plugin (AAX (pro Tools 11), VST 2.4 (32-bit and 64-bit), Audio Unit (32-bit and 64-bit) and RTAS) and also features MIDI assignment on all its key knobs and pads, making it compatible with your favorite MIDI controllers, whether they are keyboards or drumpads.

Easy Export:

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Spark includes a feature to export your patterns in .wav and MIDI directly in your DAW. Simply drag and drop any pattern from your current kit and it will be automatically rendered in the format of your choice. This becomes very handy when you are working with loops and want to quickly use an idea in the context of a full production.

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Sub Destroyer Vst

bx_subsynth is the Holy Grail for Bass Fanatics!

Integrating a mix of classic and modern processing, this 10-ton beast gives music tracks, cinematic special FX and DJs’ sound systems a bottom end that goes all the way to the Earth’s core!
In developing bx_subsynth, Brainworx initially made a meticulous model of the legendary dbx 120XP Subharmonic Synthesizer’s Waveform Modeling™ engine, which generates discrete bass frequencies one octave below what you feed in to it. They then supersized the 120XP’s feature set to create much tighter, clearer, bigger and resonant bass.
For starters, bx_subsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two—the addition of a higher bass band for re-synthesis lets you capture and nosedive the fundamental frequencies of a much wider variety of instruments, including snare drum and acoustic guitar.

The Tight Punch control creates crystal-clear, body-thumping bass by adding a resonant sub-bass peak and filtering out unwanted lows below its cutoff frequency. Powerful Edge processing lets you select from two modes of operation—Smooth and Harsh—that compress and saturate your tracks, alternately delivering super-compact or explosively trashy drums and throbbing, in-your-face bass guitar.

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Let’s Be Clear
Bass EQ can’t do what bx_subsynth does. The discrete frequencies bx_subsynth generates leave more space across the bass-frequency band for other instruments, letting you jack up subsynth’s bass without muddying your mix. Plus, EQs can’t boost bass in a thin track that doesn’t have any bottom to begin with. bx_subsynth doesn’t just boost—it adds new bottom! And whereas psychoacoustic bass processors trick your brain into hearing phantom subharmonics that don’t actually exist—and which you can’t feel—bx_subsynth adds real sub-bass that will shake your body like an earthquake!
The applications are limitless. Retune your drum tracks: Dial in higher subharmonics for rack toms and lower ones for the floor tom for colossal, pounding drum fills. Boost different subharmonics on a kick drum and bass guitar to separate their sounds in the mix, for increased clarity and punch. Add subterranean thunder to sustained left-hand octaves on piano tracks. Automatically generate a perfectly synchronized bassline from the bottom strings played on an arpeggiated acoustic guitar track; two knob twists are all it takes to focus the bassline’s image dead-center and massively widen the guitar’s stereo image up to 400%.
Remastering engineers can use bx_subsynth to add a fat bottom end to thin vinyl masters and old recordings made on narrow-gauge multitrack tape recorders. Sound designers can pump up weak cinematic FX with terrifying lows. Gothic 3 questpaket 4.2 download. DJs can turbocharge their sound systems’ low end to woofer-shattering extremes. This is bottom end you can feel in your rattling bones.
bx_subsynth. Feel the bass.
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Legal Disclaimer: dbx 120XP and Waveform Modeled Synthesis are registered trademarks of Harman International. The bx_subsynth was developed by Brainworx based on its own modeling techniques. dbx, Harman, nor any of their affiliate companies have endorsed or sponsored the bx_subsynth in any manner, nor licensed any intellectual property for use in this product.